Uphawu lwesiTaliyane uLuisa Spagnoli ngo-2014 lunomdla ngokunamathela kwawo ngokungaguqukiyo kwimigaqo yalo: umgangatho ophezulu wezinto, ubunqamle bezintlu, ubuqili obuhle kunye nokulungelelanisa okufanelekileyo. Iqoqo ngalinye lelophawu lusetshentshile kwaye linomdla, kodwa kwezinye iinkcukacha zonke zihlobene. Kulungile okanye kakubi ukugweba wena, kodwa phakathi kwababamkeli beLuisa Spagnoli kukho abafazi abaninzi abadumiweyo behlabathi abakhetha ukuphakama okukhazimulayo. Kodwa masiqwalasele ngokuthe ngqo ukuba yintoni uhlobo lweengubo zikaLouise Spagnoli ezisisondeza ngethuba lekwindla-ebusika ngo-2014 kunye naliphi ixesha esinokulibona apha.
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Iqoqo likaLouise Spagnoli ekwindla-ebusika 2014
Ngokubanzi, uLouise Spagnoli ngokwakhe, umsunguli we-brand, wayengumfazi onomdla kwaye onenjongo. Wakwazi ukuphuhlisa nokwenza iibheke encinci, ayithenge nomyeni wakhe, inenzuzo. Kwaye ngo-1928, uLouise wathola iifayili ezimbini zengubo, eyabeka isiseko somculo owaziwayo nolwaziwayo. Akuyena wonke umntu oya kukwazi ukufikelela eziphakamileyo, ukuqala ukusuka ngasezantsi, ngoko uthetha kakhulu ngoLouise Spagnoli aze avelise ukukhanya kwisitayela esifanelekileyo kuzo zonke iqoqo zolu hlobo: ubukhulu beklasi, ubuncinane obuphezulu besifazane, obuqulethe i-Retro . Kunene, ngokuqinisekileyo, wayegqoke uLouise, kuba ezi zinto zintombi ethembekileyo.
I-Brand Louise Spagnoli ekupheleni konyaka ka-2014 inikeza izinto kwi-scheme ecwangciswe ngokufanelekileyo. Amathoni angathathi hlangothi aphezulu, ngokukodwa abamnyama nabomvu. Kodwa kwakhona, kwiqoqo kukho izinto zezinto ezigqithiseleyo, umzekelo, uluphuzi, i-pinki, umnyama obomvu, uhlaza. Kodwa nangona imibala ecebileyo ibonakala iyabulela kakhulu kwiimpawu ezikhethiweyo, ezithi, nangona zikhangela ingqalelo, kodwa azikhangeli. Isitayela, njengokuba njalo, sihlawula umvuzo kwiiklasi kunye nezinto zokuvuna. Iipketi-ipensela, iimeko zokugqoka, iingubo eziqhelekileyo, iingubo ezintle. Ukugqoka kwiingubo zikaLouise Spagnoli, ngamnye umfazi unokuziva ngathi ngumfazi, enombumba omkhulu.
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