I-epoch nganye ishiya impawu zayo kuzo zonke iindawo zobomi bomntu, kwaye imfashini ayikho. Kuya kuba kuchaneke ngakumbi ukutsho ukuba kwimoya ebonakalayo yonke imimiselo yexesha elide.
Ukumba kwimbali yefestile ye-20 leminyaka-umsebenzi ukhangeleka kakhulu. Inqobo ye "fashoni" inxulumene, ngaphezu kwayo yonke, neFransi. Kwaye inkokheli yekhulu lama-20 yayingekho. Abaxhasi bee-almost allveltable innovations zekhulu lokugqibela babengamaFrentshi.
Iifestile zesiFrentshi yekhulu lama-20
Umfokazi waseFransi uPault ekuqaleni kwekhulu kunika abafazi ithuba lokuphefumula isifuba esigcwele (ngokoqobo!) - Ngokuphelisa i-corset. Kwakhona wenza iingubo ezimfutshane kwaye watshintsha ngokugqithiseleyo ukusikwa kweengubo zabesifazane. Ngombulelo kwiPoiret, kukho iingubo ezibonakalayo ezichanekileyo, iingubo zokugqoka, iingubo ezincinci, i-blazers, i-kimono igqoka. Ngomnyaka we-1912, lo mFrentshi omkhulu wabonisa umboniso wokuqala wefashoni.
Kakade ke, indlela yokuqala yekhulu lama-20 yinto eyiyo yeCoco Chanel enkulu . Kulo hlobo lwabafazi bee-1920, uChanel uzisa izixhobo zendoda - iebhatyi, iingubo, iikhati kunye ne-tie. Kwakuyixesha eli lixesha ukuba wadala ingubo yakhe emnyama edumile.
I-Cardinally ishintsha indlela yobomi. Abasetyhini baqala ukubandakanya umsebenzi ojongene nobunzima kunye nabesilisa ngokulinganayo. Umgangatho ngumdlalo wezemidlalo onamaqabunga amancinci kunye nesifuba esiphezulu. Ngexesha elifanayo, ugqoke nge-oblique thum, enqeni elincinci kakhulu (kwindawo ethile kumgca we-hip) kwaye ubude obude buhamba kwimoya.
Iifomati ze-30 zee-20 zenkulungwane kwakhona zizisa umfanekiso wesithandane wesithandane kunye nomlomo oqaqambileyo kunye ne-curl yeenwele. Omnye umfazi omhle weso sihlandlo - uMarlene Dietrich - uzisa indlela yesetyhini yokuqala ye-20 ye-tuxedo.
Siyabulela kwi-Hollywood divas, zonke iintlobo zee-stoles, ama-boas, ama-fur boas, ii-pelerines ezizalise ngempumelelo iingubo ezenziwe nge-satin, i-brocade okanye i-silk yemvelo ithandwa kakhulu.
Iingqungquthela ezithandekayo nazo zaba nomthelela ongapheliyo kwimfashini yekhulu lama-20. Hayi, kodwa kwixesha elidlulileyo lemfazwe lalingenalo ukunyuka, kwaye iimpahla ezifashiniweyo zaqala ukufana nomfaniswano wezempi. Nangona sele sele ngo-1947 i- Christian Dior ibonisa iqoqo elitsha le "New Look", elivelise umphumo wokuqhuma ibhokhwe. Umfanekiso wesifazana ogcwele iinqwekhwe ezipheleleyo kunye namahlombe ajikeleziweyo waveliswa, kunye nomlenze omncinci kunye nomkhonto ophezulu. Kwakukho ubuhle phantsi kweengubo kunye neebhola. Ubuyela kumdla kwiziqholo zokuhlobisa, kodwa ngefestile ingena kwizinwele. Umfazi kwakhona uyaba ngumfazi.
Phakathi kwekhulu leminyaka. U-Emilio Pucci unikeza ihlabathi i-Capri ibhulukhwe. Iifomati ezingama-50 zekhulu lama-20 zabhaptizwa kwihlabathi leefom ezintsha, ubungakanani, ama-silhouettes. Ibhinqa ngalinye linikezelwa ukhetho olunzulu lwezinto zonke. Ehlabathini yefashoni iza Saint Laurent ngesitayela sakhe. I-Furor ivelisa ukubonakala kwe-bikini. Indlela ephakathi kwekhulu lama-20 inika ihlabathi ngaphezu kokufunyanwa kwezinto enye. Okokuqala, uVivier Roger uza nezicathulo ezinokuphakama kwethende ye-7-8 cm, eyaba ngumqondiso wexesha. I-Coco enkulu inika izambatho zayo ezidumile, ngoku zibizwa ngegama layo.
Ukuqhaqhaqhashiswa kwenziwe ngamafestile, ukuguqula ukuqonda kwefestile yolutsha - iingubo ze-jeans zomeleleyo kwaye zihlala zifakwe kwiifayile zokuqokelela bonke abayili bemifanekiso. Kwaye, ke, le yimigqomo encinane yesiNgesi kaMary County. Ngelo xesha, i-capital capital yefashini isuka eParis ukuya eLondon, okwethutyana.
IsiNgesi kwindlela yekhulu lama-20
Ingqungquthela i-Albion yekhulu lokugqibela yaba ngumntwana wesimo esithile esithatha imfashini esanikezela amandla kwisimo samanje se-kazhual. Okokuqala, ngulo mzekelo weModos, owawuthanda kakhulu ukunambitheka nokugqithiseleka. Abadlali bale ndlela babeyi-The Beatles. Kwaye kukho i-skinheads, i-hippies, kunye ne-punks kamva. Kwaye emva koko kuza isitayela esingaqhelekanga, namhlanje namhlanje, ngokwecandelo lobuncwane be-semantic, imele okwesibili emva kwesitayela seklasi.
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